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“This is a really beautiful Korean spa in Los Angeles called Aroma Spa & Sports. Korean spas are wonderful, and they hold a special place in my heart. I have been going to the jimjilbang since I was a little girl in Korea. You can have a bath and a scrub and a sauna and usually a meal and other spa treatments if you like, and aroma is special because there’s a huge swimming pool, a state of the art gym and a golf range on the top floor.
I went this morning, had a gorgeous swim in the pool, then went downstairs to have a soak, scrub and sauna. As soon as I walked into the locker room, I felt uncomfortable. I guess I should mention here, Korean spas are, uh — well, clothing optional is not the right thing to call them. It’s more clothing non-optional, in that everyone is naked…”
“Their intolerance viewing my nakedness –- as if it was some kind of an assault on their senses, like my ass was a weapon - made me furious in a way I can’t really even express with words -– and that for me is quite impressive. This bitch always has some shit to say.
I guess it comes down to this -– I deserve better.
I brought the first Korean American family to television. I have influenced a generation of Asian American comedians, artists, musicians, actors, authors -– many, many people to do what they dreamed of doing, not letting their race and the lack of Asian Americans in the media stop them. If anything, I understand Korean culture better than most, because I have had to fight against much of its homophobia, sexism, racism –- all the while trying to maintain my fierce ethnic pride. I struggle with the language so that I can be better understood. I try to communicate my frustrations in Korean so that I can enhance my relationship with my identity, my family, my parents homeland.
I deserve to be naked if I want to.
P.S. I saw a heavily tattooed Korean man in the gym area, and I doubt he was asked to cover up at all.”
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Use the hash tags #18millionhearts and #APATownHall !


1. Please tell us a little about yourself.
I am a Korean American born woman with many passions in life. I have always been pretty ambitious since I was a child, and would like to believe that many of those goals have been accomplished only to make many more new ones. I love to explore new experiences and enlighten the rest of the world of any new discoveries especially when it comes to food and adventures.
2. What do you do?
I am currently President of VNV short for Visualize & Voice Corporation. It is a positive street wear brand made for both women and men. Currently we have over 20 different designs for tees and tanks, but I plan to expand the brand to other types of apparel in the near future.
3. What inspired you to create VNV?
There are many things that have contributed to creating VNV. I believe there was a necessity for any clothing brand to be unique in the industry, as well as a need for attire that was able to provide our generation of trends with more positive and healthier messages on a daily basis. Our world relies on strong visual imagery from everywhere, and it made sense to create a brand that would be aesthetically pleasing and beneficial for our growing youth. It couldn’t hurt to be more exposed to something inspiring or motivating that could help plant seeds of healthy thoughts, potential aspirations, confidence, and visions of future dreams for the people who are going to be the leaders of our future.
4. You say that it’s inspired by fallen youth culture, what do you mean by that?
Since 2006 I have been able to submerge myself into a culture I had not expected to be in. It had already been almost 2 years since I graduated from Carleton College, but I had befriended many students in the capital district because Albany happened to be a college town. Although I had adapted to my new surroundings (having been originally from NYC/NJ) and met some amazing characters, I have realized there were many downfalls to the environment, vibe, and overall mood Albany had been notorious for: 1) Kegs and Eggs incident which gave Albany a bad reputation all over the nation 2) tighter police enforcement leading to cancellation of events like Fountain Day 3) deserted downtown streets 4) cold and long winters.
Basically, it was difficult to find people who were actually proud of living in Albany or going to school in Albany. It dawned on me that it might not just be Albany that may experience these sentiments in their perspective locations. All of our 18-21 years old’s all over the country some commuting from home, and some traveling far from home experience discomfort from what they are used to in their hometowns. The whole experience could only be made better by the very people living in it to change what needs to be changed if we all wanted to see any change. There were plenty of college towns all over the nation that have plenty of traditions and things to be proud of that also give their students something to be proud of when they are residing there temporarily. Hence, I observed this over the course of my time here and I wanted to be a part of a bigger movement. Possibly a positive revolution for the students here and for Albany as a city. VNV was created in Albany, and was inspired by the culture here, but it would speak for the rest of the world also.
5. Who do you name as your role models and inspirations?
I have never considered anyone specifically my role model, but there have been many individuals who have inspired me by challenging my views, and shedding light upon new perspectives that I had yet to discover. For that I thank that I have God in my heart, a mother who sacrificed everything to make sure I was educated and properly raised, a father who has supported me until I became self-sufficient, friends who are the brothers and sisters I never had, and relationships I have been in that have been a reflection of who I was at the time.
6. Where do you see VNV in five years?
In 5 years, I see VNV participating in all major trade shows, and known in NYC and other major cities in the country. I have released over 20 designs just within the 1st year, which means by then I foresee having at least 100 designs ranging in tees, tanks, outerwear, and accessories. I plan to hire employees who will be able to do administrative work, market, sell, and design for me. I also hope to be on track for my own brick and mortar store.
7. What about yourself? Where will you be in five years?
As for myself, I see myself creating new goals because I would have already knocked out all the ones I have set for myself this year, haha. I would like to be traveling a lot to market my brand, speaking at events to younger people to spread the brand’s mission and motto, and participate at fundraising and volunteering events to support organizations through VNV’s profits.
8. What has been your greatest obstacle?
My greatest obstacle has been myself. I truly believe that we all can be our worst enemies when it comes to life. There will be many people who judge and talk about you, and because of what you hear or the environment you are in you are unable to move forward or be optimistic about any tasks you have set for yourself. You have no one to blame, but yourself for not having accomplished the things you wanted to. Don’t let anyone stop you, not even yourself to go anywhere but forward. There is no point moving backwards so that is not even an option. Standing still or being stagnant will get you nowhere, so force feed yourself something positive to hurry up and get you to moving forward towards whatever you may want to do.
9. In a male-dominated business, how do you gain the upper hand?
Honestly, I used to always fight for the upper hand during my younger years. But, I have learned that it isn’t always about getting the upper hand especially against the opposite sex. I am not a feminist and I don’t quite believe in complete equality because I believe men and women are both made so differently that we both possess specific talents that we can always share.
However, the society we live in does not allow for things to be any easier for women when it is already dominated by men. For that reason, I have learned to take less risks and strive to be completely, ethically, morally, and consciously by the books. We can’t be blamed if everything was done correctly and there was no room for any criticism, but to be so rigid aka a perfectionist. Unfortunately, we might sometimes have to work harder to even gain any respect to prove that we have the strength and endurance a man would easily have over a woman biologically. I have also learned to have ownership of anything you do, which means to learn everything from the bottom up and not relying on anyone to help you. Always be professional when it comes to business, and treat everyone with the same kind of respect you would demand. Finally, to be comfortable with rejection because men probably deal with that all the time. Any kind of constructive criticism or a plain rejection of your product or even YOU should not discourage you to be who you are and believe in the things you are proud of because you will never please every single person in this world.
10. What advice do you give ambitious young Asian women?
I guess this would be a continuation from question #9 but I would like to tell our ambitious young Asian women that it is okay to feel discouraged at times because it is that much harder for a female minority who is young and inexperienced trying to be successful in this world. However, there are many advantages as well as rewards because you would have worked that much harder than the average person for your dreams. Rest assured times have gotten better, and the Asian community is more accepted if not in more demand in the media and in the workplace. Our work ethics and wits have been acknowledged even as a stereotype. Be grateful for the ambition in your heart and the fact that you possess these dreams. Embrace challenges, overcome any hurdles one by one, build bigger dreams as you achieve your goals, always be optimistic and positive enough to share the wealth of your vibes to any dark clouds around you, and have faith that no matter what you do in life that as long as you are thankful for what you already have, there will be no permanent failures in life. If anyone would like more in-depth advice please feel free to contact me and I can enlighten you to have a happier perspective on life.


A born and raised Queens boy, Jake Choi is the hottest name on everyone’s lips these days. You may have seen him in the Superbowl Best Buy commercial alongside Amy Poehler, College Humor originals, or the new show Golden Boy on CBS. Jake took the time to answer some questions for Fascinasians:
1. How would you sum up your background and childhood in less than ten words?
I was very confused of my identity and insecure.
2. Have you always wanted to be an actor? How did your family feel about that when you told them?
No I actually wanted to be a professional basketball player. But when I stopped pursuing basketball, I didn’t know what to do. My friend actually suggested that I give acting a shot based on my personality. My family wasn’t too against it or for it. They just wanted me to be happy.
3. What ethnicity are you? Do you think this has held you back or helped you in any way?
I’m Korean. I don’t think it has held me back or helped me. I guess it really comes down to how you play the hand your dealt.
4. Have you ever been offered a demeaning or racist role? How did you handle that?
Yes a few times. I had to politely turn them down.
5. What are you most proud of?
Hmm…. maybe landing the Best Buy commercial since the role really was open to any ethnicity.
6. Do you identify as more Korean-American, Asian-American, or just American? What’s shaped your sense of identity?
I identify myself as just a human being. But if I had to choose, I’d say Asian American. There’s a rich Asian history and culture here in America and I’m very proud to be a part of it. But we’re all really one and the same. It’s not about what color you are, what nationality, or religion. As long as you are comfortable with yourself, that’s all that matters.
7. What are the five most recently played songs on your iTunes?
Lauryn Hill - Ex-factor, 2NE1 - I love you, John Legend - Coming Home, The Weeknd - Enemy, Lupe Fiasco - Hip Hop Saved My Life
8. What do you feel is your biggest accomplishment?
I think my biggest accomplishment is not quitting what I love doing even when I had hit rock bottom.
9. What changes do you hope to make in the community?
I would just like to help mold the image of how Asian Americans are viewed and cast in the entertainment industry and media. The stereotypes have been slowly disappearing but you still see it a lot on TV and film. Which is why I refuse to audition for any demeaning or stereotypical roles.
10. And last but not least, the question that’s on everyone’s mind: are you single?
No comment :)
This was for a project in my photography class. We had to choose historical photos from our culture and then find text to go with the picture and put everything together in the style of Carrie Mae Weems. The text of each photo is either directly quoted from an actual person, modified from a primary source, or created entirely by me.
Theme of the entire piece: ”Even if my fingernails [tear] out, my nose and ears rip apart, and my legs and arms crush, the pain of losing my nation is more brutal.” - Yu Gwansun
This piece explores the painful history of Korea and Koreans - Japanese occupation, Korean War, Korean Diaspora, and the L.A. Riots - and how in each case, our nation lost bits of itself (dead student protesters, dead soldiers, orphan children sent overseas, and loss of a purely Korean identity in exchange for a Korean American identity).
1) Dark purple. Mothers grieve for their sons killed in a demonstration, 1960. I solely created the text. While I am not sure if this picture is connected to the Japanese occupation of Korean from 1910-1945 and the consequent student demonstrations reacting against it, I interpreted the picture to represent the sorrow of Korean mothers who have lost their sons and daughters to the struggle against Japanese occupation.
2) Olive green. The color of peace is contrasted jarringly with the image of a machinery behind a young Korean girl and what it seems to be her baby brother. The word “South Korea” is on the baby and “North Korea” is placed on the young girl to show how families were split by the civil war. Text is based on a NY Times article that quoted Ri Kyong, a North Korean refugee. I modified it slightly.
3) Blue. A photo of a young Korean orphan. He represents the nearly 200,000 children who have been adopted overseas [often into white families] since the Korean War. This connects to the broader Korean Diaspora. Text is directly from adoptee Andy Marra’s wonderful and heartfelt article on going to Korea to meet her biological mother for the first time.
4) Red. My least favorite aesthetically because I had to really contrast the picture in order to highlight the redness so the picture is unclear. It is a photograph of Korean storeowners on rooftops, guarding their livelihoods. Text is a merging of two quotes from this NY Times article of April 1992. While this photograph is not of Korea directly, it is about immigrant Koreans in America and the long history of emigration from Korea. The L.A. Riots showed how isolated Koreans were from other people of color who resented their so-called “model minority” success and isolated from the police forces that abandoned the Koreans in their time of need. After the L.A. Riots, Koreans realized the importance of structuring a Korean American identity and getting involved in politics and activism, especially working closely with other communities of color.
jee-shots is my photography blog and this was a project I started for a class, but it got personal.
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There will be four sessions at KASCON XXVI.: (1) [ROOTS] Engaging the Past; (2) [IDENTITIES] Breaking Down the Walls; (3) [PASSIONS] Grasping the Present; (4) [VISIONS] Imagining the Future.
I. [ROOTS] Engaging the Past: Taking a comprehensive look at our history as Koreans as well as Korean Americans and how this historical heritage impacts our present.
Topics include:
II. [IDENTITIES] Breaking Down the Walls: Taking a critical look at the identities that we occupy and build, and what it means to examine ourselves as individuals and as members of communities that intersect, working with/against each other to produce the unique experiences each of us live. Topics include:
III. [PASSIONS] Grasping the Present: Viewing how Korean Americans are making inroads into industries today in entrepreneurship and their various other professional fields and industries. Does being Korean or Asian American influence where we stand in social and economic institutions today? Is it limiting? Is it empowering? What are the effects of our successes and of our failures?
Topics include:
IV. [VISIONS] Imagining the Future: Envisioning a future that we create with our own hands, through establishing a clear sense of our identities and our goals, both as a group and as individuals. Anexploration of visions, goals, and hopes, diverse and sometimes disparate, and the bigger picture they create of a living, evolving community. Topics include:
Speakers include Maria Yoon, John J. Kim, Curtis Chin, Pauline Park, Iris Shim, Marie Myung-Ok Lee, Keish Kim, Franny Choi, Steven Choi, Christine Yoo, Karen Chung, and Mark Ro Beyersdorf.
Oops. Guess I’m officially done with all k-pop now. Fuck all those crushes I said I had. I’m done.
A huge discussion when it comes to not only Korean pop culture, but also Korean society s that of anti-Blackness.
The discussion usually devolves into kpop fans taking up the “YOU SJWS YOU. SHUT UP” and anti-racists ignoring the societal context of Korea and trying to yell over Koreans, who they group in with kpop fans.
So here are my 2 cents because I got this link sent to me about 7 times yesterday.
What do I like about this article/thread?
First off it points out an important issue, the issue of anti-Blackness which plagues not only kpop culture, but Korean culture in general. It’s an undeniable fact that anti-Blackness is widespread in Korea and that this has formed a large part of kpop, which in turn serves to further enforce and spread anti-Blackness, as I’ve somewhat touched upon during my discussions about YGE, who have many artists pointed out in the link above.
So if you’re familiar with Korean society the above examples of anti-Blackness are not surprising to a certain degree with the widespread nature of anti-Blackness in Korean culture, so the article, in pointing these examples out, does a good job of bringing this discussion to the forefront and forcing the discussion to be had.
What’s wrong with this article? It refuses to take a lot of historical and socio-cultural context in to the picture.
First off Korean history of race dynamics is extremely different with the Western hemisphere.
Korean history and race dynamics in the sense of as they are discussed in the western hemisphere or pretty much non-existant until the 18th century at the earliest, with contact with African American culture being established during mainly the 6. 25 War period. The dynamics of Korean history have always focused on relations of different Asian ethnicities, such as the dynamics between Koreans and the Japanese, rather than race.
Where does this come from? The fact that Korean history is dominated by a predominantly homogeneous population of Asian people, most specifically of the Korean ethnicity. Thus, when there are no people of differing races it’s hard to establish a history of racial dynamics.
So why is this important? Because it helps, on a certain level explain why anti-Blackness is so widespread in Korea. There’s no history of oppression of Black people in Korea and thus certain actions do not hold a historical context in which it’s seen as racist and bigoted in Korea.
Fast forward to the Korean war when the US army came into South Korea, carrying the hierarchy of white soldiers being held in higher esteem than Black soldiers and what happens is that that mentality was transferred to the Korean population. The media contact between Korea and the western world further enforced that notion, as positive and accurate portrayals of Black people in western media is overpowered via racial stereotyping such as Black people as “gangsters” and “poor” and “ghetto”.
Because of this lack of accurate contact and communication, the education of Korean people on certain racial issues has also been delayed and denied.
For example, Korean people view Blackface as nothing more than a costume methodology to more accurately portray a Black character because the history of blackface is not widely known. There’s a lack of educational material as to why Blackface is a racist action and why it shouldn’t be done.
Same goes for the n-word, which I’ve already discussed a bit in this post.
So what are some steps that need to be taken to alleviate the issue of anti-Blackness not only in kpop but also in Korean culture?
First off, direct contact between the Black community and the Korean community needs to be established. Most of the contact between the Black community and the Korean community, from the Korean side, comes from the western media plagued with whiteness and white supremacy. Because of this, incorrect and bigoted views of the Black community are formed and enforced in the minds of Koreans.
Of course you could say that there are plenty of resources on the internet explaining the history of Blackface, why the n-word is an unacceptable word for those who are not Black to use, or what not, but the question must be asked, how many of those resources are accessible to Koreans? The language barrier of English is still very large in Korea and thus when these resources are only in English or other European languages, they become inaccessible to a large portion of the Korean population.
Once contact has been established and education has started, it’s very much important that Korean anti-racists work toward making sure that kpop stars and other parts of Korean society do not, to be blunt, fuck up.
The issue of anti-Blackness in Korean culture is an important issues, but it must not be one that further widens the gap between the Black and the Korean community. It must be an issue faced by the Korean community and Black community forming a direct relationship and contact that throws away the whiteness plagued media of the west in which currently the only contact exists.
(Source: afrosinspace)
347 notes (via le-kif-kif & afrosinspace)
What identities do you identify yourself as? Man, woman, Asian, White, Latina/o, upper-middle class, able-bodied, documented, undocumented?
For me, I find myself in these identities: Undocumented Korean American, woman-of-color. But what does it mean? How does being Korean and being undocumented play out in our society? In my respective community?
I was born in Korea, brought to the US when I was 8 and grew up the majority of my life in Georgia. Growing up in white suburban Georgia was a very difficult place as an undocumented Korean. It’s not that I ever felt the difficulty as I was growing up, but looking back, I think I was so secluded from the rest of the society. Soon after my family lost status, we steered away from the Korean community. The only time I saw other Koreans was during the weekly grocery shopping at H-mart. And when I took charge of my undocumented status, it was within the latino/a community. That was where my safe-space was created. But the gap between my Korean self and my undocumented identity was still distant. I didn’t know how to incorporate two identities and create a space for undocumented APIs. How could I, when I was afraid to approach and communicate with people who shared the same motherland?
<3 Keish!!!!!!!
37 notes (via le-kif-kif & noface-nameless)
For those looking for jobs in Chicago:
KRCC’s mission is to empower the Korean American community through education, social service, organizing/advocacy and culture. KRCC serves the Korean American community of greater Chicago, now estimated at 100,000.
Locally, KRCC is a member of the Korean Human Service Providers Council, the Korean American Vote Coalition, the Coalition of Asian, African, Arab, European and Latino Immigrants of Illinois and the Illinois Coalition of Immigrant and Refugee Rights.
KRCC is the Chicago affiliate of the National Korean American Service & Education Consortium (nakasec.org/blog/) and has an affiliate center in Los Angeles (www.krcla.org).
Responsibilities Include
Reporting to and in partnership with the Executive Director (ED), Director of Development & Finance (Director) will spearhead development efforts and oversee fiscal and financial management of the entire organization.
1. Grant Management
2. Individual Giving & Special Events
3. Financial and Fiscal Management
4. Agent for Change
As part of a team that plans and implements community organizing and public policy advocacy campaigns for issues concerning low-income immigrants of color in Illinois, you will be required to participate in various community outreach, organizing and advocacy efforts. Understanding and commitment to grassroots fundraising as a tool for social change is greatly appreciated.
Qualifications
Compensation: salary and benefits commensurate with experience and skills
Start Date : mid July
All the resume and worksample should be sent to Sik Son at sohnsik@chicagokrcc.org.
I’ve been keeping an eye on the race for Congress in New York’s 23rd District, a region that encompasses the southern tier counties of Tompkins, Seneca, Tioga, Ontario, and Chatauqua.
With hydrofracking taking center stage as an issue splitting New Yorkers, seeing an Asian American Democrat wanting to represent the people of this region against corporations is both refreshing and inspiring.
As a hospital administrator and county legislator, Nate is well experienced at the age of 28. After studying sociology at Cornell University, he stayed in the area to get his Master’s in health administration.
I spent the week with him and his campaign team as they toured the district, met with mayors, received numerous endorsements, and made so many calls that I couldn’t even keep up.
Nate’s passion for public service started from a tragic killing in the Bay Area back in 1997. Nate’s father, Dr. Larry Shinagawa, was a professor at Sonoma State University, and had a student named Kuan Chung Kao. Kao got into a fight at the bar while celebrating a promotion with his friends. To sum it up, several men didn’t like the way Kao looked and harassed him until the police showed up and only arrested Kao. After the police took him home, Kao’s wife wouldn’t let the drunken and angry man inside. When police returned, they saw Kao drunk and waving a broomstick. An officer pulled out his gun and shot Kao in the chest.
Nate’s father got involved with the Asian Law Caucus and the Justice Department and ultimately helped to win a fair settlement for Kao’s family despite government attempts to brush the killing under the rug. Nate was 13 at the time and realized that if elected officials weren’t acting in the best interest of the community and were adversely making decisions and actions, why not take the reins of leadership yourself?
As someone who has lived in Ithaca for more than a decade, Nate knows the most important issues of the district in and out. One particularly salient issue, hydraulic fracturing, called “hydrofracking” or “fracking” for short, is a method of extracting natural gas by blasting powerful bursts of water into the ground to break up the harder areas. However, the waste water from the fracking process gets contaminated and easily pollutes the community around the fracking site. Nate vigorously opposes hydrofracking, and calls it “a threat to the quality of life for my district.”
As a health care administrator, he is also a strong advocate for health care reform. He supports the Affordable Care Act, and if that is repealed, wants a single-payer healthcare system. This means the government runs insurance for the country, but still allows for people to choose their own private doctors and physicians. Nate believes such a system “would just take the profit out of the healthcare industry without affecting the care, because heath care should not be about profit.”
While we stopped at the Open Door Church of God in Christ in Dunkirk, New York, Nate listened as members of the congregation talk about issues that small towns face. For instance, although the population of Dunkirk is more than 25 percent Black and Hispanic, the town has no African American police officers and no African American or Hispanic firefighters. Due to racial demographics of the district, this is a common problem in many towns and cities. As a Tompkins County legislator, Nate is rewriting a plan for diversity and inclusion in employment - particularly careers in public service.
The two biggest cities in the 23rd district are Ithaca and Jamestown. The rest of the district is mostly made up of small towns with populations of fewer than 25,000 people. Many of these towns are stricken with unemployment, a problem that could be potentially fixed by opening up access to these towns. In Dunkirk, for example, an Amtrak train passes through to Buffalo, but doesn’t stop.
“The Amtrak train is symbolic. It goes through the community but it doesn’t stop. Opportunity is circling around us but it doesn’t stop,” Nate said.
The primary election on June 26 has three Democratic candidates: Nate Shinagawa, Leslie Danks Burke, and Melissa Dobson. Burke is a former corporate lawyer who has worked in Washington DC as a legislative analyst, while Dobson works as a patent lawyer.
If elected, Nate would be the youngest representative in Congress.
Update (June 27 - 12:00AM): As this story was published, Shinagawa was declared the winner in the Democratic primary. He will face off against Republican Congressman Tom Reed in November’s general election.
***
This post was submitted by Juliet Shen, a student at SUNY Albany studying sociology and political science. She blogs for Fascinasians and serves on the national board for the East Coast Asian American Student Union.
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