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Fascinasians

Unapologetically angry, vicious, and emotional.
Arizona raised, New York grown. Turning my rage into power!
Proud Asian American Feminist.


Posts tagged stereotypes

Apr 14 '13

ctchrss:

susurrations:

ladybrun:

Rachel Rostad - “To JK Rowling, from Cho Chang” 

this performance deserves to be experienced in whole (rather than gifs)

This was performed at Barnard just a week ago? I wish I could have been there to hear this. The part that goes, “I wasn’t sure if I was sad, but I cried anyway / Girls like me are supposed to cry over boys who look like him / I’ve seen all the movies, I’ve read all the books / We were just following the plot.”

Oh, and Cho and Chang are both Chinese and Korean surnames, not just Korean!

unff feels

Actual tears.

11,525 notes (via ctchrss & ladybrun-deactivated20130421)Tags: racism caricature stereotypes harry potter jk rowling cho chang rachel rostad queue

Feb 24 '13

Beyond the Bad and the Ugly

nomoretexasgovernorsforpresident:

FIRST-EVER ASIAN AMERICAN SUMMIT ON STEREOTYPES COMING TO LOS ANGELES’S JAPANESE AMERICAN NATIONAL MUSEUM ON MARCH 23; event brings together artists, academics, advocates and critics for a candid discussion of negative and distorted images of Asians in U.S. popular culture — and how to address, erase or subvert them.
 
Los Angeles, CA —
In 1914, Sessue Hayakawa became the first Asian American actor to break through on the silver screen, appearing in movie pioneer Thomas Ince’s silent classic The Typhoon, and launching a career as one of the most popular and well-paid stars in the nascent Hollywood industry, albeit in roles that consistently depicted him as villainous, violent and manipulative. As he put it himself, “I want to be shown as I really am, and not as fiction paints me….My one ambition is to play a hero.”

Ninety-nine years later, Asians and Asian Americans have a much greater presence in U.S. popular culture — but they are often represented in ways that Hayakawa would recognize and lament: Silent thugs. Sexless nerds. Predatory temptresses, calculating conspirators and impossibly strange foreigners.

Organized by Jeff Yang, columnist for the Wall Street Journal Online and editor-in-chief of the new graphic novel anthology SHATTERED (http://siun.org/shatteredbook), which uses the medium of the comics to explore and explode unyielding stereotypes of Asians in pop culture, BEYOND THE BAD AND THE UGLY gathers together some of the brightest and most interesting Asian American creators, and critics, activists and academics in a unique one-day summit that begins by looking back at the heritage of Asian images in American media and society, and ends by looking ahead — discussing new ways to prevent distortions and present more vivid, humanized, three-dimensional portraits of Asians and Asian Americans to a wider and more accepting audience.

Featured sessions at the summit include:

• Opening Plenary “IS THIS STEREOTYPE REALLY NECESSARY?”, a fresh, frank, informative (and likely snarky) exploration of Asian images past and present, moderated by SHATTERED editor-at-large Keith Chow and featuring notables such as graphic novelist Gene Yang (AMERICAN BORN CHINESE); performance poet Beau Sia (DEF COMEDY JAM; author, THE UNDISPUTED GREATEST WRITER OF ALL TIME); bloggers Andrew Ti (YO, IS THIS RACIST?) and Jen Wang (DISGRASIAN) and actor Parvesh Cheena (NBC’s OUTSOURCED)

• Keynote Conversation “ORIENTATIONS”, a three-way talk about the history of stereotypes of the “far” and “middle” East, between Professor John Kuo Wei Tchen of New York University’s A/P/A Institute; science fiction author and cultural studies scholar William F. Wu; and Jack Shaheen, author of REEL BAD ARABS, former CBS news consultant on Middle East affairs and Professor Emeritus of Mass Communications, Southern Illinois University at Edwardsville.

• Keynote Conversation “SEXTYPES,” a discussion of race, gender roles, sex and sexuality, with Jeff Yang and adult film star Keni Styles

• Closing Plenary “CHANGING THE GAME,” a conversation about reevaluation and reinvention of stereotypes, moderated by Oliver Wang, cultural critic and Assistant Professor of Sociology at CSU-Long Beach, and featuring Parry Shen (star of BETTER LUCK TOMORROW and SHATTERED managing editor); Christopher Chen, producer of the forthcoming documentary LINSANITY; Jay Caspian Kang, Grantland editor and author, THE DEAD DO NOT IMPROVE; Brian Hu, managing editor, Asia Pacific Arts magazine; and other special guests to be announced.

For more information on BEYOND THE BAD AND THE UGLY, or to connect with participants for interviews, email organizer Jeff Yang at jeff@secretidentities.org.

BEYOND THE BAD AND THE UGLY will also officially kick off SHATTERED’s 2013 book tour, which will take Yang and his co-editors Parry Shen, Keith Chow and Jerry Ma to select cities and college campuses in the East, West and Midwest. For further information on booking the SHATTERED tour, contact Keith Chow at keith@secretidentities.org, or complete the SHATTERED booking form at http://siun.org/shatteredtour.

—-

SCHEDULE OF EVENTS:
ADDITIONAL PROGRAMMING IN PROGRESS

9 am-9:30 am (and through day): REGISTRATION

9:30-10:00 am: Brief Welcome: Dr. Greg Kimura; Jeff Yang

10:00-11:00 am: Opening Plenary:
IS THIS STEREOTYPE REALLY NECESSARY?
Keith Chow, editor at large, SHATTERED [possible moderator]
Beau Sia, poet
Gene Yang, graphic novelist
Andrew Ti, blogger, YO IS THIS RACIST?
Jen Wang, blogger, DISGRASIAN
Parvesh Cheena, actor, OUTSOURCED

11:00-12:00: Keynote Conversation:
ORIENTATIONS
Professor Jack Tchen, NYU Asian Pacific American Institute
William F. Wu, author
Jack Shaheen, Professor Emeritus of Mass Communications from Southern Illinois University at Edwardsville

12:00-1:00:
Keynote Conversation: SEXTYPES
Jeff Yang, columnist, Wall Street Journal Online, editor-in-chief, SHATTERED
Keni Styles, adult film star

1:00-2:00 Lunch Break

2:00-4:00 Screenings

2:00-3:00 Breakouts A: What We Teach and Show

TAMING TIGERS: GETTING BEYOND STEREOTYPES IN PARENTING AND EDUCATION
Jason Sperber, cofounder, Rice Daddies
Julie Kang, blogger, Geisha School Dropout
Cynthia Liu, cofounder, K-12 Network
D. Rikio Mooko, associate dean of students, Pomona College

SCREEN ADJUSTMENTS: GETTING BEYOND STEREOTYPES IN MEDIA
Jocelyn Wang, blogger, 8Asians
Steve Nguyen, Channel APA
Paula Yoo, author, GOOD ENOUGH; producer, EUREKA
Stephen Dypiangco and Patrick Epino, National Film Society
Jerry Ma, art director, SHATTERED

3:00-4:00 Breakouts B: What We Do and Say

MOVE THIS: CAMPAIGNS THAT WORK
18 Million Rising (Jenn Pae/Cynthia Brothers)
Racebending (Michael Le and Marissa Lee)
Lisa Lee, blogger, Thick Dumpling Skin; diversity program manager, Facebook

THE POLITICS OF PERCEPTION
Ling Liu, executive director of the Fred Korematsu Institute
Jay Chen, Hacienda Heights school board member, congressional candidate
Tanzila Ahmed, voter engagement manager at Asian Pacific American Legal Center

4:00-5:00 Closing Plenary:
CHANGING THE GAME
Oliver Wang, Assistant Professor of Sociology at CSU-Long Beach
Parry Shen, actor/producer, managing editor, SHATTERED
Christopher Chen, producer, LINSANITY
Jay Caspian Kang, editor, Grantland; author, THE DEAD DO NOT IMPROVE
Brian Hu, managing editor, Asia Pacific Arts

5:00-6:00 
“ALL IN” Q&A/ROUNDTABLE

6:00 to closing
SHATTERED: The Asian American Comics Anthology Reception

52 notes (via nomoretexasgovernorsforpresident)Tags: conference stereotypes asian american aapi shattered linsanity apa west coast opportunities queue

Feb 21 '13

46 notes Tags: michael hung cnn sexuality asian american aapi apia gender stereotypes racism stop with the white pussy queue

Jan 18 '13

bluepeets:

“Things Asians Hate,” by Eliot Chang.

This is terrible AND WONDERFUL.

And funny. Just watch.

81 notes (via bluepeets)Tags: asian asian american eliot chang race racism stereotypes

Dec 20 '12

It is no surprise that Asian women are the most popular women of color in porn, given the long-standing stereotypes of them as sexually servile geishas, lotus blossoms, and China dolls. Depicted as perfect sex objects with well-honed sexual skills, Asian women come to porn with a baggage of stereotypes that makes them the idealized women of the porn world. In most sites and movies specializing in Asian women (“Asian” being used in porn as a shorthand for a whole range of ethnicities), we see a mind-numbing replaying of the image of Asian women as sexually exotic, enticing, and submissive in both the text and pictures. Using words such as naïve, obedient, petite, cute, and innocent, the Web sites are full of images of Asian women, who, we are told, will do anything to please a man, since this is what they are bred for. It seems from these sites, however, that Asian women are interested in pleasing only white men because Asian men are almost completely absent as sex partners.

The introductory text on Hustler’s Web site Asian Fever sums up the way Asian women are caricatured in porn: “Asian Fever features scorching scenes of the sexual excesses these submissive Far East nymphos are famous for. No one knows how to please a man like an Asian slut can, and these exotic beauties prove it.” Notice here how Asian women are defined as being super slutty thanks to their assumed sexual excesses, submissiveness, skill, and beauty. Their supposed submissiveness is eroticized as they are presented as completely powerless to resist any sexual demands men may have. Their powerlessness is further enhanced by the way these children are “childified” – they are presented as naïve, innocent, and lacking any adult agency. The more childish the woman seems, the greater the ability of the male to exploit and manipulate.

The bodies of these women are similarly described as immature and of course, given that this is porn, it is always their vaginas that are constructed as the most childlike. Words like “tiny,” “little,” and “tight” are used as a way to develop an image of a vagina that seems more like a child’s than a woman’s. Many of these sites promise the viewer the pleasure of seeing a “tight Asian cunt filled with a huge cock,” thereby sexualizing female discomfort. In keeping with the gonzo script, these women are depicted as loving rough sex and are happy to take the abuse handed out to them.

For “authenticity,” the Web sites often write the English text in chopstick font, play Asian-sounding music in the background, and have the women speaking in broken English. While all of these sites are deeply racist in the way they caricature Asian cultures, one of the worst offenders is a site called Me Fuck You Long Time (a spoof of a line borrowed from Full Metal Jacket), which offers the viewer movies of “Asian Sluts Getting Fucked By American Cocks.” Referring to the women as “fuckbuckets,” this site has multiple images of women being gagged by so called American cocks. On the right-hand side of the site is an American flag, a tank, and the Statue of Liberty, and on the left is an Asian woman holding a Chinese flag. Just below her is a streaming video of an Asian women having ejaculate squirted on her face. The not-so-subtle message here is that no matter what really happened in past wars, today the Americans are the real winners as they get to fuck Asian women any way they want. To the winner goes utter and complete access to the losing side’s women, and what better way to represent this than to have a continuous video of the losing side’s woman being degraded in the best way porn knows: a face covered in ejaculate.

Sometimes the industries of trafficking and sex tourism, which supply Western men with cut-rate women and girls, are referenced for an extra thrill. The text promoting the film Asian Street Hookers advertises “real Asian freaks from southeast Asia,” and to make really sure that the user knows that they are talking about trafficking in women, they boast: “The Oriental Express flies to Thailand and the Philippines – and once again imports the sexiest dolls around.” Indeed, if the pleasure in porn is watching a woman rendered powerless, then trafficked women are about as powerless as you can get. They are in a foreign country with no support systems, their passport is usually confiscated by the pimp, they have no money, often they can’t speak the language, and they are at the mercy of the sex traffickers who would just as soon kill them as let them leave. In this subordinated state, a woman has to submit to any sexual use and abuse brought to bear on her body. In Pornland sex, this state of utter oppression is about as hot as you can get.

1,446 notes Tags: sexuality racism asian asian american stereotypes racial justice feminism violence against women violence porn

Dec 10 '12
trungles:

Ah yes. This thing.
Slanty eyes? Check.
Nón lá knock-off? Check.
Buck teeth? Check.
Engrish? “OKAY FERRAS, LET’S ROCK DA JOINT.”
Reference to fortune cookies? Check.
Chopsticks? Check.
Mock Chinese? “Shanghai-HongKong-Egg-Foo-Young, Fortune Cookie Always Wrong! Hehehe, dat a hot one.” BIG check.
I mean, I always knew this part of the Aristocats was extremely racist, but when you lay out all the different pejorative Asian tropes, it’s AMAZING how much they crammed into a three-minute musical number.
Uuuugh.

trungles:

Ah yes. This thing.

Slanty eyes? Check.

Nón lá knock-off? Check.

Buck teeth? Check.

Engrish? “OKAY FERRAS, LET’S ROCK DA JOINT.”

Reference to fortune cookies? Check.

Chopsticks? Check.

Mock Chinese? “Shanghai-HongKong-Egg-Foo-Young, Fortune Cookie Always Wrong! Hehehe, dat a hot one.” BIG check.

I mean, I always knew this part of the Aristocats was extremely racist, but when you lay out all the different pejorative Asian tropes, it’s AMAZING how much they crammed into a three-minute musical number.

Uuuugh.

88 notes (via trungles)Tags: aristocats racism asian asian american stereotypes coolie

Jul 24 '12
We get objectified for existing.
— Conversation I’m having with a friend about Asian female stereotypes. This hit me so hard, it felt like a punch to the stomach.

69 notes Tags: racism asian american stereotypes

Jun 14 '12

No photos of Gackt?

fuckyeahasianmen:

But… He’s gorgeous…



My apologies, I’m just not into men who wear more makeup than I do.

But for those of y’all who like pretty mofos….

In terms of what people find attractive, to each their own. But subtly digging comments like “I’m just not into men who wear more make up than I do” is condescending, mean-spirited, and it’s aimed at both men who don’t fall into stereotypically masculine appearances and at people who find them attractive. I actually have a ton of issues with this blog. On one hand, it’s great that Asian men are getting attention and being seen as sexually attractive. That’s fantastic. What I DON’T like is that the owner of the blog is not only non-Asian, but also has professed their “love for Asians” many times. I talk a lot about fetishes that end up objectifying Asian females, but it’s pretty disturbing regardless of the gender. I’ve spoken to friends who have also experienced the Fetish, such as getting stereotyped as bottoms or submissive simply because they are of Asian descent.

Racial. Fetishes. Are. Not. Good.

18 notes (via tashabilities)Tags: fuckyeahasianmen asian men stereotypes race fetish racism

Feb 29 '12
This exists. 
“Chinadoll is fragile and bold, soft-spoken and out-spoken, a free spirit of undeniable presence. I created a romantic duality by casting watercolor gradients against sharper lines — Lotus Noir was applied under lower lashes, blended into Jade-o-Lade, then faded seamlessly into Parasol. Finally, I added soft-red accents to her cheeks, brows and around the temples for an innocent glow evocative of vintage Chinese advertising posters.”
And who, you may ask, is so knowledgable about Chinese culture and Chinadolls?

Doe Deere, founder of Lime Crime and self-proclaimed Makeup Artist and Unicorn Queen.
Thanks for staying bigoted!
 

This exists. 

“Chinadoll is fragile and bold, soft-spoken and out-spoken, a free spirit of undeniable presence. I created a romantic duality by casting watercolor gradients against sharper lines — Lotus Noir was applied under lower lashes, blended into Jade-o-Lade, then faded seamlessly into Parasol. Finally, I added soft-red accents to her cheeks, brows and around the temples for an innocent glow evocative of vintage Chinese advertising posters.”

And who, you may ask, is so knowledgable about Chinese culture and Chinadolls?

Doe Deere, founder of Lime Crime and self-proclaimed Makeup Artist and Unicorn Queen.

Thanks for staying bigoted!

 

74 notes Tags: racism stereotypes chinadoll make up limecrime apia aapi api apa asian american

Jan 18 '12

When will Asians finally be accepted as People of Color?

mizmlee:

racemash:

voguedissent:

Today is Martin Luther King, Jr.’s birthday, and in his honor, the Black students’ union sent out an email summing up MLK’s life, politics and legacy, along with a reminder of what we students can do. The email was sent to the Black students’ union email listserv and the Latino students’ union listserv.

But not to the Asian students’ union listserv.

Why the resistance to including Asians as people

Read More

“You’re clearly not white and encounter tons of ignorance from that circumstance, but you’re still more socially accepted than black and latino group due to “positive stereotypes” (bullshit IMO) and thus receive better access to resources i.e. health care, education. “

As an Asian American, I will have to slightly disagree with that statement, that Asians are more “socially acceptably.” It is not the people who are socially acceptable, it is our products.

By products I mean our food, history, mythology, culture, our martial arts, and dare I say it, the “exotic” nature of all that and more. Our products eventually became fetishized for most white people to consume and mold into their society.

In media, the Asian people are just as shafted and pigeon holed into the typecast roles that a white consumer society established for them, and if an Asian isn’t emulating any of those “positive stereotypes,” (ie if you don’t know kung fu, if you’re not nerd or geek smart, if you are not an Asian female that can be hypersexualized into an exotic trophy for the white man to win), you are denied opportunities and privileges just like anyone else of color.

Anyways, yeah wtf Asians are too of color and we love MLK as much as anyone does.

100 notes (via lady-jei & voguedissent)Tags: racism stereotypes aapi asian americans pacific islanders mlk martin luther king poc people of color